Konkordanz

Performed September 5, 2015 at the 6th edition of the At.tensions Festival
Performed May 27, 2015 within the first Performing Arts Festival Berlin at the Club der polnischer Versager Conceived and Performed by Patrick Faurot

Between the primordial and the modern, myth and deconstructionism, Konkordanz is an experimental performance that positions the body of the performer within the medium of sculpture and the existential conflicts of Samuel Beckett's literature. The performance is set to a 97-minute audio tape recording of a score generated by the concordance indexing method applied to Beckett's novel The Unnameable.